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1924's “ Dante's Inferno” is partially lost and only loosely inspired by “The Divine Comedy,” depicting the hellish afterlife of a greedy slumlord. These wild visuals has made Dante's poem irresistible to other filmmakers, even if his work lacks anything in the way of plot. Cinema was still a new invention and audience had quite literally never seen wild sights like this before.
#1935 dante inferno torrent movie#
Those same special effects scenes are probably why the movie was such a huge hit back in 1911. The acting can also be quite hammy, the performers gesticulating wildly with their faces and arms. Weirdly, the film will sometimes break for short historical sequences, when some of the tortured in Hell talk about their crimes in lives. The movie's only 72 minutes long but it definitely feels longer than that.
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The film's faithfulness to the material means it's basically a series of special effects sequences piled atop each other. Dante's poem doesn't have much of an actual plot.

Some effects, however, are just goofy looking, like the googly-eyed cerberus or lizard monster. The special effects are creaky and nightmarish in much the same way many silent movies are. It's interesting to consider that much of what we think of as Christian doctrine was invented in the 14th century by someone largely pulling from beliefs that pre-date Jesus.īeing a very early feature, “L'inferno” does need to be graded on a certain curve. Giants carry Dante and Virgil into the final circle. The forest where suicides are transformed into bleeding trees is inhabited by flapping harpies. At one point, Dante and Virgil ride upon the back of Geryon, depicted here as an enormous dragon with a man's face. Above the same gates are a trio of gorgons, turning visitors to stone. A three-headed Cerberus, depicted by a crude puppet, guards the gates of Hell. He drew greatly upon pre-Christian lore, especially Greek paganism. Dante is largely responsible for creating our modern impression of what Hell looks like. I've always been interested in Dante's “Divine Inferno,” for its symbolic and historical value. It's surprising and visually impressive stuff, much of it looking right out of a Bosche painting.
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The film is also full of male and female nudity, as many of the damned are nude. People are punished in rain, fire, ice, and the forest by various types of monsters. In the final, frozen circle, an enormous Satan gnaws on the greatest traitors of all. Another has snake biting sinners in a pit. One memorable sequences shows dismembered bodies, including a man carrying his own head, stumbling out of a cave. People who bullshited in life spend eternity screaming in a literal river of shit. Later, we see demons and the damned depicted as people with blank doll faces or heavy, dome-like robes. Hordes of winged and horned demons whip and probe the damned souls. Nude bodies lay on a volcanic field, fire raining down upon. The silent film is full of surreal and nightmarish images that can still shock. Looking upon each of the seven circles, the two see the various ways that those who are guilty in life are punished in death.ġ911's “L'inferno” will be most interesting to horror fans for its elaborate depictions of hellish punishment. Virgil then leads Dante on a guided tour through Hell. In this dark moment, Dante is rescued by the spirit of his idol, the poet Virgil. It begins with Dante lost in the dark forest of sin, besieged by attacking animals. If you took a college English class, you're probably at least vaguely familiar with Dante's “Divine Comedy” and its most famous first act, “Inferno.” The 1911 feature adaptation sticks fairly close to Alighieri's text. Despite its historical significance, the film is rarely discussed today. But perhaps the first feature length horror movie, and one of the earliest feature films in general, is the 1911 version of “Dante's Inferno.” Made in Italy by a trio of directors, it would be an early cinematic hit, earning two million dollars in the U.S. There were many early silent shorts with horror themes. If you're looking for the origins of the horror movie, you have to go back over a hundred years ago. Something that makes horror so fascinating to me is the way the hallmarks of the genre – things that frighten, unsettle, or horrify – have been depicted over the years. Horror is, after all, what we're here to discuss. During the Six Weeks of Halloween, I always talk a lot about the history of the genre.
